Thomas Bellinck - Symposium/The School of Speculative Documentary
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How can we rethink the documentary in art in terms of content, form and method? How can we wrest the documentary from its disciplinary divisions and develop strategies that escape formatted market thinking? How can we take our responsibility for mechanisms that determine what can or may be observed, seen, heard, said, thought, made, or done? And how do documentary makers themselves deal with their own positions (of power) and blind spots?